This is the best of the best.. Pretentious! review from HomeTheaterReview.com's Andrew Robinson. It always looked like something you'd expect to find in an imaginary Euro-flat, probably in Berlin, serving as the background for a naff Douwe Egbert or Ferrero Rocher ad. Nautilus 801 gave the line so much credibility - rave reviews, floor space at Abbey Road, etc - that B&W has managed to do what most speaker brands dream about yet few achieve: the company juggles models with true high-end worth (and price tags) with speakers firmly in the budget sector. It's the 'N' word that makes the '805's life so hellish, so unfair. i dont need to say anymore, i dont own it either, jsut listened to them. Sorry, but I have to clarify some of the "Sydney" review. It is, despite high-tech-ery for the next millennium, a two-way loudspeaker designer for stand-mounting, and as such part of the same tradition which put British loudspeakers (Quad aside...) on the map. I'll admit that I don't know a ton about it (there aren't many people who do) but the theory is similar to that of an infinite baffle, except that a transmission line terminus (port) can be used to augment the output of the driver without the potential tuning problems with a bass reflex enclosure.These speakers (the B&Ws) are odd looking because they are using "theoretically ideal" lines for each driver. The cabinet construction is almost ridiculously complex and is responsible, I'm sure, for the bulk of the cost of the beast. What would have been silly would be £10k's worth of Krell, Levinson or ARC. Presuppose for just a second that the cheapest model in a range will always outsell the model above it in logarithmic proportion. I owned the 8th pair made (serial numbers 115/116) done up in the spectacular Porsche Midnight Blue. It's called transmission line loading. Superb imaging, smooth, lifelike, detailed sound. The B&W unit is actually a crossover - nothing more. If I had the money to buy these speakers I would. Music? The theory similar to a planar/electrostatic in launching a uniform wave front. It is an active electronic equalizer. It came to fruition at the end of five years of research and development where the only brief was to “do whatever was necessary, however unconventional, to make the best loudspeaker anyone has ever heard”. Other Web Sites in the ConsumerReview Network: mtbr.com | However Laurence Dickie has not been resting, he has spent the last 20 twenty years refining the Nautilus at his new company Vivid Audio. But it does confirm a suspicion that speakers available with dedicated stands - the '805s, the Guarneris and so on - invariably work best with supports designed specifically for them. The lines are normally stuffed with some amount of acoustic stuffing to help the process. Yup, the biggest, most commercially-aware speaker brand in the UK has just joined the ranks of the adored, admired and applauded cottage industry. Paradigm Moniter 9 (4 of them)
Reading other reviews on this speaker was entertaining. everyone here is talking about transmittion line tec, in this speaker,yes maby a good way of avoiding colloration and abviously reflex port disstortions,no port used,but it is very expensive method.The bass driver has to be able to drive down to 20 hz at a reasonable db,hence a expensive powerfull 10 kg bass driver,wich is one big driver and not a couple small ones like most companies use.the reason why small bass drivers are used by ae etc,is obviously becuase it is easier to controll the light wieght diaphragm.This speaker is very good yes,but no one has 60 grand for a set of speakers.The ae 5 use a reflexion system yes,but this doesnt mean there bass is over extended or even that the port is used for low hz effect,a port can also be used only to release air ,and who says sound comes out with it?The ae 5 cost only a fraction of the price and will compete with these speakers in my opinion.Dont blab on about me comparing two totaly diff speakers just listen to the ae 5s and tell me if theres logik in spending 0000 more. And believe me quality comes at a price. Yes, it is efficient. I was roaming the Bowers & Wilkins site this evening and stumbled into the Audio Review site; I couldn't help but read the reviews of my favorite speaker of all time...the original Nautilus'. Oh and be careful, after installing a pair for a customer his maid stuck a broom through a midrange. Your support is greatly appreciated! Well i''m getting to become an audiophile... i''ll have to say these speakers are DAMN SEXY. Wierd concept. acoustic energy ae 5,although not similar in price. So, an apology is due to B&W: However ludicrous I find that overblown snail, however much I loathe the Silver Signature, the B&W Nautilus 805 more than makes up for earlier sins. So carefully matched are the stands to the speakers that I can't imagine anyone wishing to use them with any other. I was lucky enough to work on the team with Laurence Dickie back in the 1990s when he was developing the Nautilus Loudspeaker. Better still, it's a slap in the face of every audiophile who refuses to believe that a massive company can make decent hi-fi, one who insists that sound quality vanishes when turnover reaches Yankee proportions. A clever channel allows the speaker cable to be fed down into the pillar, exiting at the back. Grotesque! The unit probably is responsible for the terrible efficiency. I would put a review out for them if this web site ever adds them. This 24in tall support is available with a black or natural metal pillar to complement the speaker's black ash, cherry or red-stained cherry real wood veneers. In my experience Bose systems sound like life style mini hi fi's. Oh, and he used to work for Fried. But I suspect that part of the charm - maybe even an act of sleight of hand - is the speaker's room-filling dispersion. The technology can be found elsewhere - check out Carolina Audio for some great transmission line designs. 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